| Catenazzi, Karin | ‘Evaluation of the use of Funori for consolidation of powdering paint layers in wall paintings’ | Studies in Conservation, Vol. 62, Issue 2 | 2017 | CLICK HERE |
| Harrold, Jillian and Zofia Wyszomirska-Noga | ‘Funori: The use of a traditional Japanese adhesive in the preservation and conservation treatment of Western objects’ | Adapt & Evolve 2015: East Asian Materials and Techniques in Western Conservation. Proceedings from the International | 2015 | CLICK HERE |
| Hayakawa Noriko 早川典子, Kida Keiko 貴田啓子, Ohmura Takoya 大村卓也, Yamamoto Noriko 山本記子, Kusunoki Kyoko 楠京子, | ‘Characterisation of funori as a conservation material: Influence of seaweed species and extraction temperature’ | Studies in Conservation, Vol. 59, supplement 1 | 2014 | CLICK HERE |
| Ting-Fu Fan | ’Evaluation of funori stability in preparation methods’ | Adhesives and consolidants in painting conservation (53-60), Archetype Publications, London | 2012 | |
| Dauchez, Anne-Cécile | ‘Comparative Approach to the Seaweed-Based Adhesives Funori and JunFunori’, in French (‘Approche comparative des colles d’algues Funori et JunFunori®’) | CeROArt – Conservation, exposition, restauration d'objets d'arts | 2012 | CLICK HERE |
| Michel, Françoise | ‘Funori and JunFunori: Two Related Consolidants With Surprising Properties’ | Proceedings of Symposium 2011: Adhesives and Consolidants for Conservation: Research and Applications | 2011 | |
| Garland, Kathleen M. and John Twilley | ‘The Restoration, Treatment, Scientific Examination, and Re-treatment of an Egyptian Limestone Relief from the Tomb of Ka-aper’ | Journal of the American Research Center in Egypt, Vol. 45 | 2009 | CLICK HERE |
| Hayakawa, Noriko, Kigawa, Rika, Nishimoto, Tomoyuki, Sakamoto, Kurara, Fukuda, Shigeharu, Kirnishima, Takayuki, Oka, | ‘Characterization of Furunori (Aged Paste) and Preparation of a Polysaccharide Similar to Furunori’ | Studies in Conservation, Volume 52, 2007 - Issue 3 | 2007 | CLICK HERE |
| Swider, R. Joseph & Martha Smith | ‘Funori: Overview of a 300-year-old consolidant’ | Journal of the American Institute for Conservation JAIC, Vol. 44, Nr. 2, Article 5 | 2005 | CLICK HERE |
| Geiger, Thomas and Françoise Michel | ‘Studies on the Polysaccharide JunFunori Used to Consolidate Matt Paint’ | Studies in Conservation, Volume 50, Issue 3 | 2005 | CLICK HERE |
| Masson, Oliver & Michaela Ritter | ‘Fräulein Huth’ and the red seaweed: Consolidation of a collage by Kurt Schwitters with JunFunori®’ | The Paper Conservator, Vol. 28, Issue 1 | 2004 | |
| Sawada Masaki | ‘The Consolidation and Restoration of Ancient Japanese Wall Paintings’ | The conservation of Dunhuang Mogao grottoes and the related studies: International Symposium on the Conservation and Restoration of Cultural Prope | 1997 | |
| Strahan, Donna K. | ‘Preserving unstable paint surfaces on freshly excavated terracotta: dilemmas and decisions’ | Studies in Conservation, Vol. 41 | 1996 | |
| Kariya Hiroko | ‘The use of Funori as a consolidant on matte paint layers: the conservation of a monumental polychrome sandstone Bodhisattva’ | Abstracts of papers presented at the twenty-third annual meeting, St. Paul Minnesota, June 4-11, AIC | 1995 | |
| Moran, Sherwood F. | ‘Structural Features of Clay Sculpture of the Nara Period’ | Artibus Asiae, Vol. 23, No. 1 | 1960 | CLICK HERE |
